Fundada Artists’ Film Festival is a contemporary film and video event run by artists intending to showcase the best in contemporary screen-based art from across the globe. Fundada believes that art should be fun and inclusive yet conceptually strong and critically engaged. The film festival is comprised of selected short films from an international open call and curated by artists Alice Bradshaw and Nancy Porter.

Open Call for Submissions
2012 to be announced shortly.

Thursday, 28 July 2011

Wolfie interviews Alice & Nancy

The Wolf behind Fundada interviews founding co-directors Alice Bradshaw and Nancy Porter.

Wolfie: Where does the name Fundada come from?
Alice: It’s a mix of 2 of our main interests in art: Fun + dada.
Nancy: Well we wanted something that represented, something that could be a play on words but also something legitimate. It means 'founded' in Spanish and came off a bottle of Havana Club rum. We love rum and this subtle tip of our hats to it seemed perfect.

W: Why a film festival?
N: I think it was an interesting move for me personally as it's something I have never done before. It's been great to be critically engaged in something that we are all exposed to and absorbed in. Instead of looking at the big films that are out there, it's been a great experience to look at the smaller films which have a broad spectrum of talent and are interesting artistically.
A: Last year we were thinking of opening a gallery with a dedicated artists’ cinema space. The space we had in mind fell through but the opportunity to run a film festival as part of Halifax Festival came from Square Chapel who kindly offered us the venue and equipment to screen it. We had no good reason not to run it again this year. We’re planning other projects as Fundada though - not exclusively film.

W: This year FAFF comes to Wakefield. What prompted the move from Halifax?
A: The film festival or any other Fundada activity was never set to be tied to any geographical location. We’re peripatetic and opportunistic.
N: The opportunity came to us through Alice as she is a resident in the studio. Plus it has a pub. What's better? Pint and a film.

W: What's the ambiguous “Yes” / “No” for on the FAFF2011 submission form?
N: Interesting question! Originally we thought it'd be an amusing twist to our application forms. We were intentionally ambiguous what we want people to say Yes or No to.
A: It was an experiment to see if it prompted any surreal answers to the “questions.” It prompted more questions than answers.
N: We get a lot of ticks/crosses to Yes, some smiley faces and some questions. I like the response we've had to it.

W: Were there lots of submissions and does it take ages to review?
A: There were loads. We had them delivered to Westgate Studios and every week there was a new stack by the pigeonholes waiting for collection.
N: The reviewing process is a fairly long process but it never seems to drag because we get so many interesting and varied films, there's always something for us to discuss and muse over.
A: We really impressed by how far our open call went. We had submissions from every corner of the world and it was great reviewing them all.
W: What are the criteria?
A: The submission criteria this year was a maximum of 20 minutes duration and the submissions had to be DVD pal. Last year there were no criteria as we had 5 screening days to play with so feature lengths were not out of the question. We found that despite receiving good quality feature lengths from around the world, short films were much more interesting for us. I think there’s definitely a subtle distinction between film film and art film. It’s not a simple one eg having or not having narrative. And we like film film too.
N: We called it Fundada Artists’ Film Festival because we particularly wanted films made by artists rather than films made by filmmakers. It’s not specifically a criteria though - it’s just suggested in the title, because essentially filmmakers are artists and artists who make films are filmmakers.
A: We also had to make submissions postal only on DVD pal because we had serious issues with film formats last year. Filthy little mov files caused so many problems as they are so incompatible. We had to go to Lumen in Leeds and use their Macs with Final Cut Pro just to convert the files into a workable format. With films already in DVD pal there’s no conversion and quality loss.
N: Essentially, the selection criteria is a mix of quality and subjectivity and also if the films will work together curatorially.

W: What is the selection process?
A: The selection process is we’ll watch all the films together and discuss each one and make a longlist. Once we’ve reviewed all of them we’ll make a shortlist knowing what we’re working with. Then we’ll make the final selection and decide the running order.
N: Last year we didn’t have anywhere suitable to review films so we ended up in bars across Manchester with laptops and wine. We know all the best places to plug in for power, and the preferred seats nearest the plug sockets as well.
A: This year we have a very comfortable HQ with all the facilities.

W: Do you ever disagree about the selection?
A: I don’t think we have... sometimes we’re both unsure about a film and have different levels of enthusiasm for it, but it’s generally an easy process to decide and a good conversation in the process.
N: I don't think we've ever had a disagreement over a film, no. We're both very much on the same page. Plus we're a democracy, like U2 but with the Irish vibe and tax evasion.

W: What have been the worst films to review?
N: Dance. And experimental dance. I have no clue over this as an art form. It's not my place and never will be. Oh and scrotum footage. Can we say scrotum in an interview?
A: Swinging scrotum were the low point of our career as Fundada. We discussed the potential for screening a Worst of FAFF and the ethics of doing that. We haven’t ruled it out. Video documentation as video documentation and not a piece of work in its own right is not a good start and neither of us are particularly keen on dance as a medium, less so as documentation and not live.

W: And the best?
N: Scrotum footage. No, I kid. The best are the ones that when we watch them they instantly strike us as being Fundada. They're normally a little surreal, sometimes they'll feature a woodland animal or a flying rum bottle.
A: We also ran a public vote for best film of the day each screening day last year and have awarded the following Best of FAFF2010 FAFFTAs to: Splitty McCheeks (UK) & NTSC VHS VJ Barry Valentino (US) live, Eagle & Feather (UK) KIPPLE: VHS Art for the Digital Age, Sebaldo (UK) - Bomb Ed, Paul Tarragó (UK) - The Badger Series Episode 1, Kathy Toth (UK) – Loop, Jorge García Velayos (ES) - La Bestia (The Beast), Lemeh42 (IT) - Inner Klänge (Inner Sound) and Sai Hua Kuan (SG/UK)- Space Drawing No.5.

W: What's next for Fundada?
N: We have big plans. We're thinking of something abroad - we want to take Fundada to Europe. And perhaps something printed like a zine.
A: We’re both interested in language and are developing a project around multilingualism and the inherent strangeness of language. Research trips are going to be an important part of the next year. Showcasing artists’ films will still be a big part of what we do though. Fundada TV is here!

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